After more than a decade as one of the most influential groups in Spanish pop, Mecano returned in 1998 with two brand-new songs to accompany their greatest hits collection, Ana José Nacho. One of them was Stereosexual, a modern, electronic pop track that demonstrated the band's willingness to continue experimenting with new sounds even at the height of their success.
Released on May 29, 1998 as the second single from Ana José Nacho, the song combines Mecano's signature melodic style with contemporary electronic production and dance-oriented rhythms. Written by Nacho Cano, Stereosexual reflects the group's late-career evolution, embracing a more sophisticated and cosmopolitan sound while maintaining the intelligent songwriting that had defined their catalog since the 1980s.
Although it was one of the band's final new releases before their separation, Stereosexual received significant radio airplay across Spain and Latin America. On Vitrola Stereo's TOP15, the single reached No. 1 on October 3, 1998, holding the top position for one week, becoming one of the station's final chart-topping hits of that year.
Today, Stereosexual stands as an interesting closing chapter in Mecano's recording career. While it never achieved the iconic status of classics such as Hijo de la Luna or Mujer contra mujer, it showcased a band that remained creatively adventurous until the very end.
Stereosexual reminds listeners that Mecano never stopped evolving. Rather than simply revisiting the formula that had made them one of Spain's biggest bands, they embraced contemporary production and electronic influences, proving their music could remain relevant in a rapidly changing pop landscape.
Many greatest-hits albums simply revisit the past. Stereosexual proved that Mecano still had something new to say. As one of the band's final singles, it serves as a fitting reminder that innovation remained at the heart of their music until the closing chapter of an extraordinary career.
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